Thursday, April 30, 2009
Dylan's Last Dream
must a man make into roads
before he's no longer a man?
and how many times
must the lights go out
before the darkness is a friend?
here I stand
at answer's end
the answer is standing
at its end
I dreamt of Dylan
a humorless old man
purring at heaven's door
3 or 4 neon paper hits
and he told me why gods
must also bow
before his solemn drunk mirror
my youth was warm and elastic
reaching out towards cosmic whispers
over the edge and then snapping back
driven into the sand
firm hardy roots branching out
into the comfort of light
where we both stood
patiently at answer's end
how many old souls
must a man make into roads
before he's no longer a man?
and how many times
must the lights go out
before the darkness is a friend?
here I stand
at answer's end
the answer is standing
at its end
Love,
Rev. MoonPie
Tuesday, April 28, 2009
Monday, April 27, 2009
Prayer For You
This is a perfect moment. It’s a perfect moment because I have been inspired to say a gigantic prayer. I’ve been roused to unleash a divinely greedy, apocalyptically healing prayer for each and every one of you—even those of you who don’t believe in the power of prayer.
And so I am starting to pray right now to the God of Gods… the God beyond all Gods… the Girlfriend of God… the Teacher of God… the Goddess who invented God.
Dear Goddess, you who never kill but only change:
I pray that my exuberant, suave, and accidental words will move you to shower ferocious blessings down on everyone who reads this benediction.
I pray that you will give them what they don’t even know they need—not just the boons they think they want but everything they’ve always been afraid to even imagine or ask for.
*
Dear Goddess, you wealthy anarchist burning heaven to the ground:
Many of the divine chameleons out there don’t even know that their souls will live forever. So please use your brash magic to help them see that they are all wildly creative geniuses too big for their own personalities.
Guide them to realize that they are all completely different from what they’ve been led to believe about themselves, and more exciting than they can possibly imagine.
Make it illegal, immoral, irrelevant, unpatriotic, and totally tasteless for them to be in love with anyone or anything that’s no good for them.
*
O Goddess, you who give us so much love and pain mixed together that our morality is always on the verge of collapsing:
I beg you to cast a boisterous love spell that will nullify all the dumb ideas, bad decisions, and nasty conditioning that have ever cursed the wise and sexy virtuosos out there.
Remove, banish, annihilate, and laugh into oblivion any jinx that has clung to them, no matter how long they’ve suffered from it, and even if they’ve become accustomed or addicted to its ugly companionship.
Please conjure an aura of protection around them so that they will receive an early warning if they are ever about to act in such a way as to bring another hex or plague into their lives in the future.
*
Dear Goddess, sweet Goddess, you sly universal virus with no fucking opinion:
Please help all the personal growth addicts out there to become disciplined enough to go crazy in the name of creation, not destruction.
Teach them the difference between oppressive self-control and liberating self-control.
Awaken in them the power to do the half-right thing when it is impossible to do the totally right thing.
Arouse the Wild Woman within them—even if they’re men.
*
Dear Goddess, you pregnant slut who scorns all mediocre longing:
I pray that you will inspire all the compassionate rascals communing with this prayer to kick their own asses and wash their own brains.
Provoke them to throw away or give away all the things they own that encourage them to believe that they are better than anyone else.
Show them how much fun it is to brag about what they cannot do and do not have.
Give them bigger, better, more original sins and wilder, wetter, more interesting problems.
Most of all, Goddess, brainwash them with your freedom so that they never love their own pain more than anyone else’s pain.
*
Oh Goddess, you wildly disciplined, radically curious, shockingly friendly, fanatically balanced, mysteriously truthful, teasingly healing, lyrically logical master of rowdy bliss:
I ask you to give your unconventionally unconditional love to all the budding messiahs who read this prayer; love them with all of your ocean and sky and fire and earth.
Cultivate in yourself a fervent yearning for their companionship. Play with them every day. Answer their questions. Listen to their stories.
Inspire them not just to nag you for what they want, but also to thank you for the uncanny gifts you flood them with.
And if there are any pockets of ignorance or hatred these insanely poised creators might be harboring, any inadvertent idiocies that keep them blind to your blessings, please flush them out as soon as possible.
*
Dear Goddess, You psychedelic mushroom cloud at the center of all our brains:
Bless all the inscrutable creators out there with lucid dreams while they are wide awake, and their very own spin doctors, and solar-powered sex toys that work even in the dark, and vacuum cleaners for their magic carpets, and a knack for avoiding other people’s hells, and a thousand masks that all represent their true feelings, and secret admirers who are not psychotic stalkers.
Arrange for a racehorse to be named after them, or an underground river, or a boulevard in an exotic vacationland, or a thousand-year-old storm on Saturn or Jupiter.
Teach them to push their own buttons and unbreak their own hearts and right their own wrongs and sing their own songs and be their own wives and save their own lives.
*
Dear Goddess, You fiercely tender, hauntingly reassuring, orgiastically sacred feeling that is even now running through all of our soft, warm animal bodies:
I pray that you provide all the original sinners out there with a license to bend and even break all rules, laws, and traditions that keep them apart from the things they love.
Show them how to purge the wishy-washy wishes that distract them from their daring, dramatic, divine desires.
And teach them that they can have anything they want if they’ll only ask for it in an unselfish way.
*
And now dear God of Gods, God beyond all Gods, Girlfriend of God, Teacher of God, Goddess who invented God, I bring this prayer to a close, trusting that in these mysterious moments you have begun to change everyone out there in the exact way they’ve needed to change in order to become the gorgeous geniuses they were born to be.
Amen. Awomen.
Thursday, April 16, 2009
Wang Zoo
from the ground itself
hearing whispers in the dark
knowing they are happy
bowing for many to pass
and dug up by their heels
thus I have taken sage advice
from the hole itself
as winds become other things
I have become nothing
with a flower on my head
not speaking of the way
but whispering in the dark
knowing what is happy
Love,
Rev. MoonPie
Wednesday, April 15, 2009
Prem Joshua
Wiki sez:
Prem Joshua (Hindi: प्रेम जोशुआ) is a German musician, active since 1991.
Born in Germany, Joshua learned the flute at the age of five and played the flute and the saxophone for various local bands. At the age of 18, he traveled overland to India studying the indigenous folk music of countries along the way.
On reaching India, Joshua learned to play the sitar from India’s finest teachers including Ustad Usman Khan and the enlightened mystic, Osho. Osho inspired him and his music. His website states that "In the presence of this man with a long white beard, eyes as deep as the ocean and a strong sense of humor, he came in touch with the art of the “inner music” - Silence. This was really coming home!"
Throughout his career, he has experimented with various forms of music, creating a blend of the East and the West. He has also worked extensively with other producers, making remixes of his own songs and infusing traditional Hindustani acoustic instruments with lounge and trance beats. His music has immensely contributed to the Asian Underground and fusion scene.
Enjoy.
Love,
Rev. MoonPie
Tuesday, April 14, 2009
Anuloma Pranayama
For years now I've enjoyed Pranayama on a mostly daily basis. It once helped me to quit smoking, possibly forming a new neural imprint upon what was an oral fixation. It has at times been my preparation for meditation, and at others, it has been the meditation itself. If you can find the right method, you may feel a sense of harmony reaching down to the subtlest vibrations of being, and in time you cultivate balance and peace of all faculties. There are many methods, but here I will share only my favorite, which you will find in a link at the end of this blog.
"Expansion of individual energy into cosmic energy is called prāṇāyāma (prāṇa, energy + ayām, expansion)." -Ramamurti Mishra
"Prana is a subtle invisible force. It is the life-force that pervades the body. It is the factor that connects the body and the mind, because it is connected on one side with the body and on the other side with the mind. It is the connecting link between the body and the mind. The body and the mind have no direct connection. They are connected through Prana only and this Prana is different from the breathing you have in your physical body." -Swami Chidananda Saraswati
"Yoga works primarily with the energy in the body, through the science of pranayama, or energy-control. Prana means also ‘breath.’ Yoga teaches how, through breath-control, to still the mind and attain higher states of awareness. The higher teachings of yoga take one beyond techniques, and show the yogi, or yoga practitioner, how to direct his concentration in such a way as not only to harmonize human with divine consciousness, but to merge his consciousness in the Infinite." -Paramahansa Yogananda
Medical claims, according to Wikipedia:
"Several researchers have reported that pranayama techniques are beneficial in treating a range of stress related disorders, improving autonomic functions, relieving symptoms of asthma, and reducing signs of oxidative stress. Practitioners report that the practice of pranayama develops a steady mind, strong will-power, and sound judgement, and also claim that sustained pranayama practice extends life and enhances perception."
Further Explanation and instructions found here: http://www.abc-of-yoga.com/pranayama/basic/viloma.asp
Love,
Rev. MoonPie
Escape from the Zombie Food Court
Escape from the Zombie Food Court
Howard's Dream Office
Watch video here: http://blip.tv/file/1937429
Instructions to Insight Meditation
Instructions to Insight Meditation
by Venerable Mahasi Sayadaw
(The following is a talk by the Ven. Mahasi Sayadaw Agga Maha Pandita U Sobhana given to his disciples on their induction into Vipassana Meditation at Sasana Yeiktha Meditation Centre, Rangoon, Burma. It was translated from the Burmese by U Nyi Nyi )
The practice of Vipassana or Insight Meditation is the effort made by the meditator to understand correctly the nature of the psycho-physical phenomena taking place in his own body. Physical phenomena are the things or objects which one clearly perceives around one. The whole of one's body that one clearly perceives constitutes a group of material qualities (rupa). Psychical or mental phenomena are acts of consciousness or awareness (nama). These (nama-rupas) are clearly perceived to be happening whenever they are seen, heard, smelt, tasted, touched, or thought of. We must make ourselves aware of them by observing them and noting thus: `Seeing, seeing', `hearing, hearing', `smelling smelling', `tasting, tasting', `touching, touching', or `thinking, thinking.' Every time one sees, hears, smells, tastes, touches, or thinks, one should make a note of the fact. But in the beginning of one's practice, one cannot make a note of every one of these happenings. One should, therefore, begin with noting those happenings which are conspicuous and easily perceivable.
With every act of breathing, the abdomen rises and falls, which movement is always evident. This is the material quality known as vayodhatu (the element of motion). One should begin by noting this movement, which may be done by the mind intently observing the abdomen. You will find the abdomen rising when you breathe in, and falling when you breathe out. The rising should be noted mentally as `rising', and the falling as `falling'. If the movement is not evident by just noting it mentally, keep touching the abdomen with the palm of your hand. Do not alter the manner of your breathing. Neither slow it down, nor make it faster. Do not breathe too vigorously, either. You will tire if you change the manner of your breathing. Breathe steadily as usual and note the rising and falling of the abdomen as they occur. Note it mentally, not verbally.
In vipassana meditation, what you name or say doesn't matter. What really matters is to know or perceive. While noting the rising of the abdomen, do so from the beginning to the end of the movement just as if you are seeing it with your eyes. Do the same with the falling movement. Note the rising movement in such a way that your awareness of it is concurrent with the movement itself. The movement and the mental awareness of it should coincide in the same way as a stone thrown hits the target. Similarly with the failing movement.
Your mind may wander elsewhere while you are noting the abdominal movement. This must also be noted by mentally saying `wandering, wandering.' When this has been noted once or twice, the mind stops wandering, in which case you go back to noting the rising and falling of the abdomen. If the mind reaches somewhere, note as `reaching, reaching.' Then go back to the rising and falling of the abdomen. If you imagine meeting somebody, note as `meeting, meeting.' Then back to the rising and falling. If you imagine meeting and talking to somebody, note as `talking, talking.'
In short, whatever thought or reflection occurs should be noted. If you imagine, note as `imagining'. If you think, `thinking'. If you plan, `planning'. If you perceive, `perceiving'. If you reflect, `reflecting'. If you feel happy, `happy'. If you feel bored, `bored'. If you feel glad, `glad'. If you feel disheartened, `disheartened'. Noting all these acts of consciousness is called cittanupassana.
Because we fail to note these acts of consciousness, we tend to identify them with a person or individual. We tend to think that it is `I' who is imagining, thinking, planning, knowing (or perceiving). We think that there is a person who from childhood onwards has been living and thinking. Actually, no such person exists. There are instead only these continuing and successive acts of consciousness. That is why we have to note these acts of consciousness and know them for what they are. That is why we have to note each and every act of consciousness as it arises. When so noted, it tends to disappear. We then go back to noting the rising and falling of the abdomen.
When you have sat meditating for long, sensations of stiffness and heat will arise in your body. These are to be noted carefully too. Similarly with sensations of pain and tiredness. All of these sensations are dukkhavedana (feeling of unsatisfactoriness) and noting them is vedananupassana. Failure or omission to note these sensations makes you think, ``I am stiff, I am feeling hot, I am in pain. I was all right a moment ago. Now I am uneasy with these unpleasant sensations.'' The identification of these sensations with the ego is mistaken. There is really no `I' involved, only a succession of one new unpleasant sensation after another.
It is just like a continuous succession of new electrical impulses that light up electric lamps. Every time unpleasant contacts are encountered in the body, unpleasant sensations arise one after another. These sensations should be carefully and intently noted, whether they are sensations of stiffness, of heat or of pain. In the beginning of the yogi's meditational practice, these sensations may tend to increase and lead to a desire to change his posture. This desire should be noted, after which the yogi should go back to noting the sensations of stiffness, heat, etc.
`Patience leads to Nibbana', as the saying goes. This saying is most relevant in meditational effort. One must be patient in meditation. If one shifts or changes one's posture too often because one cannot be patient with the sensation of stiffness or heat that arises, samadhi (good concentration) cannot develop. If samadhi cannot develop, insight cannot result and there can be no attainment of magga (the path that leads to Nibbana), phala (the fruit of that path) and Nibbana. That is why patience is needed in meditation. It is patience mostly with unpleasant sensations in the body like stiffness, sensations of heat and pain, and other sensations that are hard to bear. One should not immediately give up one's meditation on the appearance of such sensations and change one's meditational posture. One should go on patiently, just noting as `stiffness, stiffness' or `hot, hot'. Moderate sensations of these kinds will disappear if one goes on noting them patiently. When concentration is good and strong, even intense sensations tend to disappear. One then reverts to noting the rising and falling of the abdomen.
One will of course have to change one's posture if the sensations do not disappear even after one has noted them for a long time, and if on the other hand they become unbearable. One should then begin noting as `wishing to change, wishing to change.' If the arm rises, note as `rising, rising.' If it moves, note as `moving, moving'. This change should be made gently and noted as `rising, rising', `moving, moving' and `touching, touching'. If the body sways, `swaying, swaying.' If the foot rises, `rising, rising'. If it moves, `moving, moving'. If it drops, `dropping, dropping.' If there is no change, but only static rest, go back to noting the rising and falling of the abdomen. There must be no intermission in between, only contiguity between a preceding act of noting and a succeeding one, between a preceding samadhi (state of concentration) and a succeeding one, between a preceding act of intelligence and a succeeding one. Only then will there be successive and ascending stages of maturity in the yogi's state of intelligence. Magga-Nana and Phala-nana (knowledge of the path and its fruition) are attained only when there is this kind of gathering momentum. The meditative process is like that of producing fire by energetically and unremittingly rubbing two sticks of wood together so as to attain the necessary intensity of heat (when the flame arises).
In the same way, the noting in vipassana meditation should be continual and unremitting, without any resting interval between acts of noting whatever phenomena may arise. For instance, if a sensation of itchiness intervenes and the yogi desires to scratch because it is hard to bear, both the sensation and the desire to get rid of it should be noted, without immediately getting rid of the sensation by scratching.
If one goes on perseveringly noting thus, the itchiness generally disappears, in which case one reverts to noting the rising and falling of the abdomen. If the itchiness does not in fact disappear, one has of course to eliminate it by scratching. But first, the desire to do so should be noted. All the movements involved in the process of eliminating this sensation should be noted, especially the touching, pulling and pushing, and scratching movements, with an eventual reversion to noting the rising and falling of the abdomen.
Every time you make a change of posture, you begin with noting your intention or desire to make the change, and go on to noting every movement closely, such as rising from the sitting posture, raising the arm, moving and stretching it. You should make the change at the same time as noting the movements involved. As your body sways forward, note it. As you rise, the body becomes light and rises. Concentrating your mind on this, you should gently note as `rising, rising'.
The yogi should behave as if he were a weak invalid. People in normal health rise easily and quickly or abruptly. Not so with feeble invalids, who do so slowly and gently. The same is the case with people suffering from `back-ache' who rise gently lest the back hurt and cause pain.
So also with meditating yogis. They have to make their changes of posture gradually and gently; only then will mindfulness, concentration and insight be good. Begin therefore with gentle and gradual movements. When rising, the yogi must do so gently like an invalid, at the same time noting as `rising, rising'. Not only this: though the eye sees, the yogi must act as if he does not see. Similarly when the ear hears. While meditating, the yogi's concern is only to note. What he sees and hears are not his concern. So whatever strange or striking things he may see or hear, he must behave as if he does not see or hear them, merely noting carefully.
When making bodily movements, the yogi should do so gradually as if he were a weak invalid, gently moving the arms and legs, bending or stretching them, bending down the head and bringing it up. All these movements should be made gently. When rising from the sitting posture, he should do so gradually, noting as `rising, rising.' When straightening up and standing, note as `standing, standing'. When looking here and there, note as `looking, seeing'. When walking note the steps, whether they are taken with the right or the left foot. You must be aware of all the successive movements involved, from the raising of, the foot to the dropping of it. Note each step taken, whether with the right foot or the left foot. This is the manner of noting when one walks fast.
It will be enough if you note thus when walking fast and walking some distance. When walking slowly or doing the cankama walk (walking up and down), three movements should be noted in each step: when the foot is raised, when it is pushed forward, and when it is dropped. Begin with noting the raising and dropping movements. One must be properly aware of the raising of the foot. Similarly, when the foot is dropped, one should be properly aware of the `heavy' falling of the foot.
One must walk, noting as `raising, dropping' with each step. This noting will become easier after about two days. Then go on to noting the three movements as described above, as `raising, pushing forward, dropping'. In the beginning, it will suffice to note one or two movements only, thus `right step, left step' when walking fast and `raising, dropping' when walking slowly. If when walking thus, you want to sit down, note as 'wanting to sit down, wanting to sit down.' When actually sitting down, note concentratedly the `heavy' falling of your body.
When you are seated, note the movements involved in arranging your legs and arms. When there are no such movements, but just a stillness (static rest) of the body, note the rising and falling of the abdomen. While noting thus and if stiffness of your limbs and sensation of heat in any part of your body arise, go on to note them. Then back to `rising, falling'. While noting thus and if a desire to lie down arises, note it and the movements of your legs and arms as you lie down. The raising of the arm, the moving of it, the resting of the elbow on the floor, the swaying of the body, the stretching of legs, the listing of the body as one slowly prepares to lie down, all these movements should be noted.
To note as you lie down thus is important. In the course of this movement (that is, lying down), you can gain a distinctive knowledge (that is, magga-nana and phala-nana the knowledge of the path and its fruition). When samadhi (concentration) and nana (insight) are strong, the distinctive knowledge can come at any moment. It can come in a single `bend' of the arm or in a single `stretch' of the arm. Thus it was that the Venerable Ananda became an arahat.
The Ven. Ananda was trying strenuously to attain Arahatship overnight on the eve of the first Buddhist council. He was practising the whole night the form of vipassana meditation known as kiyagatasati, noting his steps, right and left, raising, pushing forward and dropping of the feet; noting, happening by happening, the mental desire to walk and the physical movement involved in walking. Although this went on till it was nearly dawn, he had not yet succeeded in attaining Arahatship. Realizing that he had practised the walking meditation to excess and that, in order to balance samadhi (concentration) and viriya (effort), he should practise meditation in the lying posture for a while, he entered his chamber. He sat on the couch and then lay himself down. While doing so and noting `lying, lying,' he attained Arahatship in an instant.
The Ven. Ananda was only a sotapanna (that is, a stream winner or one who has attained the first stage on the path to Nibbana) before he thus lay himself down. From sotapannahood, he continued to meditate and reached sakadagamihood (that is, the condition of the once-returner or one who has attained the second stage on the path), anagamihood (that is, the state of the non-returner or one who has attained the third stage on the path) and arahatship (that is, the condition of the noble one who has attained the last stage on the path.) Reaching these three successive stages of the higher path took only a little while. Just think of this example of the Ven. Ananda's attainment of arahatship. Such attainment can come at any moment and need not take long.
That is why the yogi should note with diligence all the time. He should not relax in his noting, thinking ``this little lapse should not matter much.'' All movements involved in lying down and arranging the arms and legs should be carefully and unremittingly noted. If there is no movement, but only stillness (of the body), go back to noting the rising and falling of the abdomen. Even when it is getting late and time for sleep, the yogi should not go to sleep yet, dropping his noting. A really serious and energetic yogi should practise mindfulness as if he were forgoing his sleep altogether. He should go on meditating till he falls asleep. If the meditation is good and has the upper hand, he will not fall asleep. If, on the other hand, drowsiness has the upper hand, he will fall asleep. When he feels sleepy, he should note as `sleepy, sleepy'; if his eyelids droop, `drooping'; if they become heavy or leaden, `heavy'; if the eyes become smarting, `smarting'. Noting thus, the drowsiness may pass and the eyes become `clear' again.
The yogi should then note as `clear, clear' and go on to note the rising and falling of the abdomen. However, perseveringly the yogi may go on meditating, if real drowsiness intervenes, he does fall asleep. it is not difficult to fall asleep; in fact, it is easy. If you meditate in the lying posture, you gradually become drowsy and eventually fall asleep. That is why the beginner in meditation should not meditate too much in the lying posture. He should meditate much more in the sitting and walking postures of the body. But as it grows late and becomes time for sleep, he should meditate in the lying position, noting the rising and falling movements of the abdomen. He will then naturally (automatically) fall asleep.
The time he is asleep is the resting time for the yogi. But for the really serious yogi, he should limit his sleeping time to about four hours. This is the `midnight time' permitted by the Buddha. Four hours' sleep is quite enough. If the beginner in meditation thinks that four hours' sleep is not enough for health, he may extend it to five or six hours. Six hours' sleep is clearly enough for health.
When the yogi awakens, he should at once resume noting. The yogi who is really bent on attaining magga-nana and phala-nana, should rest from meditational effort only when he is asleep. At other times, in his waking moments, he should be noting continually and without rest. That is why, as soon as he awakens, he should note the awakening state of his mind as `awakening, awakening.' If he cannot yet make himself aware of this, he should begin noting the rising and falling of the abdomen.
If he intends to get up from bed, he should note as `intending to get up, intending to get up.' He should then go on to note the changing movements he makes as he arranges his arms and legs. When he raises his head and rises, note as `rising, rising'. When he is seated; note as `sitting, sitting.' If he makes any changing movements as he arranges his arms and legs, all of these movements should also be noted. If there are no such changes, but only a sitting quietly, he should revert to noting the rising and falling movements of the abdomen.
One should also note when one washes one's face and when one takes a bath. As the movements involved in these acts are rather quick, as many of them should be noted as possible. There are then acts of dressing, of tidying up the bed, of opening and closing the door; all these should also be noted as closely as possible.
When the yogi has his meal and looks at the meal-table, he should note as `looking, seeing, looking, seeing.' When he extends his arm towards the food, touches it, collects and arranges it, handles it and brings it to the mouth, bends his head and puts the morsel of food into his mouth, drops his arm and raises his head again, all these movements should be duly noted.
(This way of noting is in accordance with the Burmese way of taking a meal. Those who use fork and spoon or chopsticks should note the movements in an appropriate manner.)
When he chews the food, he should note as `chewing, chewing'. When he comes to know the taste of the food, he should note as `knowing, knowing'. As he relishes the food and swallows it, as the food goes down his throat, he should note all these happenings. This is how the yogi should note as he takes one morsel after another of his food. As he takes his soup, all the movements involved such as extending of the arm, handling of the spoon and scooping with it and so on, all these should be noted. To note thus at meal-time is rather difficult as there are so many things to observe and note. The beginning yogi is likely to miss several things which he should note, but he should resolve to note all. He cannot of course help it if he overlooks and misses some, but as his samadhi (concentration) becomes strong, he will be able to note closely all these happenings.
Well, I have mentioned so many things for the yogi to note. But to summarise, there are only a few things to note. When walking fast, note as `right step', `left step', and as `raising, dropping' when walking slowly. When sitting quietly, just note the rising and falling of the abdomen. Note the same when you are lying, if there is nothing particular to note. While noting thus and if the mind wanders, note the acts of consciousness that arise. Then back to the rising and falling of the abdomen. Note also the sensations of stiffness, pain and ache, and itchiness as they arise. Then back to the rising and falling of the abdomen. Note also, as they arise, the bending and stretching and moving of the limbs, bending and raising of the head, swaying and straightening of the body. Then back to the rising and falling of the abdomen.
As the yogi goes on noting thus, he will be able to note more and more of these happenings. In the beginning, as his mind wanders here and there, the yogi may miss noting many things. But he should not be disheartened. Every beginner in meditation encounters the same difficulty, but as he becomes more practised, he becomes aware of every act of mind-wandering till eventually the mind does not wander any more. The mind is then riveted on the object of its attention, the act of mindfulness becoming almost simultaneous with the object of its attention such as the rising and falling of the abdomen. (In other words the rising of the abdomen becomes concurrent with the act of noting it, and similarly with the falling of the abdomen.)
The physical object of attention and the mental act of noting are occurring as a pair. There is in this occurrence no person or individual involved, only this physical object of attention and the mental act of noting occurring as a pair. The yogi will in time actually and personally experience these occurrences. While noting the rising and falling of the abdomen he will come to distinguish the rising of the abdomen as physical phenomenon and the mental act of noting of it as psychical phenomenon; similarly with the falling of the abdomen. Thus the yogi will distinctly come to realize the simultaneous occurrence in pair of these psycho-physical phenomena.
Thus, with every act of noting, the yogi will come to know for himself clearly that there are only this material quality which is the object of awareness or attention and the mental quality that makes a note of it. This discriminating knowledge is called namarupa-pariccheda-nana, the beginning of the vipassana-nana. It is important to gain this knowledge correctly. This will be succeeded, as the yogi goes on, by the knowledge that distinguishes between the cause and its effect, which knowledge is called paccayapariggaha-nana.
As the yogi goes on noting, he will see for himself that what arises passes away after a short while. Ordinary people assume that both the material and mental phenomena go on lasting throughout life, that is, from youth to adulthood. In fact, that is not so. There is no phenomenon that lasts for ever. All phenomena arise and pass away so rapidly that they do not last even for the twinkling of an eye. The yogi will come to know this for himself as he goes on noting. He will then become convinced of the impermanency of all such phenomena. Such conviction is called aniccanupassana-nana.
This knowledge will be succeeded by dukkhanupassana-nana, which realises that all this impermanency is suffering. The yogi is also likely to encounter all kinds of hardship in his body, which is just an aggregate of sufferings. This is also dukkhanupassana-nana. Next, the yogi will become convinced that all these psycho-physical phenomena are occurring of their own accord, following nobody's will and subject to nobody's control. They constitute no individual or ego-entity. This realisation is anattanupassana-nana.
When, as he goes on meditating, the yogi comes to realise firmly that all these phenomena are anicca, dukkha and anatta, he will attain Nibbana. All the former Buddhas, Arahats and Aryas realised Nibbana following this very path. All meditating yogis should recognise that they themselves are now on this sati-patthana path, in fulfilment of their wish for attainment of magga-nana (knowledge of the path), phala-nana (knowledge of the fruition of the path) and Nibbana-dhamma, and following the ripening of their parami (perfection of virtue). They should feel glad at this and at the prospect of experiencing the noble kind of samadhi (tranquillity of mind brought about by concentration) and nana (supramundane knowledge or wisdom) experienced by the Buddhas, Arahats and Aryas and which they themselves have never experienced before.
It will not be long before they will experience for themselves the magga-nana, phala-nana and Nibbana-dhamma experienced by the Buddhas, Arahats and Aryas. As a matter of fact. these may be experienced in the space of a month or of twenty or fifteen days of their meditational practice. Those whose parami is exceptional may experience these dhammas even within seven days. The yogi should therefore rest content in the faith that he will attain these dhammas in the time specified above, that he will be freed of sakkaya-ditthi (ego-belief) and vicikiccha (doubt or uncertainty) and saved from the danger of rebirth in the nether worlds. He should go on with his meditational practice in this faith. May you all be able to practise meditation well and quickly attain that Nibbana which the Buddhas, Arahats and Aryas have experienced!
Sadhu! Sadhu! Sadhu!
Monday, April 13, 2009
Sermon of the Willful and Undefined
Recently I became an ordained minister of the Universal Life Church. Despite having spent many years wanting to become ordained as a mockery of my Christian environment and upbringing, the actual manifestation of this desire is now anything but a mockery. Nor is it a validation of spiritual authority. This ordainment, after all, can be achieved by nearly anyone within just a few minutes at certain web sites.
The significance for me was as a private ceremony celebrating the will towards collective betterment. With or without the title of Reverend, there is the inclination of sustainable psychospiritual farming practices which prepare our shared soil for growth. In becoming a minister, I only wish to maintain patterns for myself that allow me to be a friend to all sentient beings. Far from any labels, from dogmas, from even expectation, there is the very natural and pleasurable tendency of soulful realization. Upon this spirit I lay no claim, but I serve it, as do we all in our own ways.
While occasionally using established means for increasing awareness, it is yet the unnamed which is furthered. Our paths are not entirely summed up by hot topics of consensus reality or by esoteric classifications. Though not fighting complexity in the natural world, we thrive in simplicity. The classic spiritual texts have very much to offer us on a wide variety of issues we deal with, but there is a basic experience which can hardly even be mentioned, the very act of the foot meeting the path.
It is that moment to which I devote myself, as it manifests in all beings. I will not preach or attempt to force anything, but I will be a steward to that which is already occuring. I am not myself a cause of anything. We already seem to be in the process of unfolding into the widening expanses of bliss, so I have only opted to come along for the ride, to cultivate the awareness in myself that allows me to share this experience as we have it.
As a minister, I am only a friend. I can not pledge to be a cause of anything, but I pledge my sights to what can be observed in the calm balance of the subtle areas of knowing, a nature of change, of the universe finding existence through patterns of interaction, of a tendency to come together and move forward. I will share what I can and remain open to what everyone has to share with me. Whatever the stories we identify as ourselves, and however an individual must approach it, we have this one thing in common: the evolution towards boundless realization.
You are that, and I am that. For that, I pledge my service eternally. Behind the mask of Rev. Sun Myung MoonPie, I laugh joyfully with you, knowing that we're already there. Behind your masks, I know you are laughing too. Peace be with you, friends.
Love,
Rev. MoonPie